Small Town Gay Bar

Anyone who comes from a small town will recognize a bit of themselves in Malcolm Ingram’s Small Town Gay Bar, an effective, if understated, documentary that demonstrates the importance of places where gays and lesbians can come together and be themselves. Focusing on two gay establishments located in the Bible Belt of Mississippi, the film uses interviews with patrons and employess to show how gay bars can be a haven away from the prejudice and oppression of society. A few other folks — like the loathsome Rev. Fred “God hates fags” Phelps — pop up as well, espousing hatred and intolerance. But the inclusion of such displays of intolerance only serves to strengthen the filmmaker’s message. Ingram’s style is a bit rough around the edges, but a strong soundtrack and the defiance of those depicted help bolster this modest sleeper. Extras: Commentary by Ingram; introduction by Ingram and executive producer Kevin Smith (Chasing Amy); chats with Smith, editor Scott Mosier, townspeople who live close to the bars; and several deleted scenes. —Ken Knox

Race You to the Bottom

In this randy, provocative film, two best friends—a gay man (Cole Williams) and a straight woman (Buffy the Vampire Slayer’s Amber Benson) who are having a casual affair unbeknownst to their significant others—embark on a road trip through Napa Valley’s wine country that brings their confused relationship to a head. It’s not terribly original—it’s been done better in films like Cabaret, and worse in films like The Next Best Thing—and the film’s penchant for trying to cram too many issues into a measly 81 minutes eventually causes it to unravel as it gets closer to its abrupt, unsatisfying conclusion. Still, at least its heart is in the right place. Though the movie is a nice little showcase for its two attractive leads, in the end, Race You to the Bottom only serves as a strong reminder for why gay men should never sleep with their best gal pals. Extras: Commentary by writer/director Russell Brown, both leads, composer Ryan Beveridge and director of photography Marco Fargnoli; Brown’s short film Reality USA (with commentary); footage of Benson accepting an award for her performance. —K.K.